ANKH TV

Watch on YouTube

Inside a Character-Driven Rock Snapshot

Be The Wolf sharpen their storytelling instincts with the official video for “Peeps,” a vivid companion to a cut from the album Rouge (Scarlet Records, Marquee/Avalon). Built around crisp, propulsive rock energy and directed with an eye for personality and movement, the clip unfolds like a compact social panorama, each figure offering a quick flash of attitude inside a bustling nightspot. The production finds clarity and punch in the mix, while the visuals foreground the song’s taut rhythm and hook-led momentum.

The Track: Hooks, Pulse and Polish

“Peeps” thrives on immediacy. It leans into tightly wound guitars, a lean low end and drum work that keeps the groove front and center. The arrangement favors concise melodies over bloat, giving the chorus room to hit cleanly and return often. The sound is sculpted for impact and repeat play: vocals stay intelligible at volume, guitars cut without harshness and the rhythm section feels glued rather than crowded. That balance carries the track from verse to hook with a sense of motion that the video amplifies on screen.

Concept and Setting: A Barroom Gallery of Faces

Rather than chase a literal narrative, the video arranges a parade of characters into a study of nightlife dynamics. A Queen takes the room’s measure. A Bar Lady holds court at the counter. Dancers, drifters, musicians and scene-stealers drift in and out of focus, each framed as an archetype you recognize after a handful of late nights. The effect is more cinematic sketchbook than plot, a series of glances and gestures that mirror the song’s clipped phrases and sharp transitions.

The setting, grounded in the lived-in atmosphere of a Turin club, becomes another instrument. Tables, lights and instruments are staged to sculpt movement lines for the camera and create quick visual accents on the beat. It is a single-location shoot, yet it avoids stasis through blocking, choreography and a revolving door of faces that constantly refresh the frame.

Camera, Color and Choreography

Director and director of photography Mattia Martinetto keeps the lens in motion, matching the cut-and-thrust of the arrangement with kinetic but legible shots. Close-ups and sweeping passes mingle, preserving a feel of shared space while isolating key details when the music tightens. The color palette nods to the album’s title, leaning into bold contrasts and club-lit warmth that read as modern without washing out textures.

Art direction and choreography by Simone Roattino turn the set into a series of micro-stages. Short, repeatable movements land on snare hits and vocal cues; props and wardrobe pull characters apart at a glance. The editing, handled by Federico Mondelli, favors musicality over flash. Cuts fall on downbeats, refrains arrive with cleaner framings and inserts of hands on keys, sticks, and strings underline the track’s physical drive. It is polished without feeling airless, the pacing designed to serve the song first.

Faces in the Crowd

The cast reads like a roll call of scene archetypes and musicians-in-motion. There is a theatrical streak to the ensemble, punctuated by a Jester who slips between tableaus as a playful foil. The Queen anchors the room’s gaze, the Bar Lady resets the flow, and a string of players at piano, guitar, drums and bass vivify the performance thread. Brief as their appearances are, the roles are sketched with clarity, each figure catching the light long enough to imprint before the groove moves on.

Sound and Post: Keeping the Edges Sharp

On the audio side, “Peeps” benefits from a focused signal chain. The guitars retain bite without losing body, the bass locks to the kick for definition and the vocals sit high enough to drive the hook. Recorded, mixed and mastered by Andrea Fusini, the track carries a sheen that suits its compact compositional logic: no wasted space, no dulled transients. That clarity translates on camera, too, where percussive edits and performance cues track the song’s architecture beat for beat.

Location and Acknowledgments

The production makes the most of its Turin location, capturing the kind of texture that only a real room can supply. The crew extends thanks to Yamaha Guitars and to The Mad Dog Social Club in Torino for their support, both of which contribute to the clip’s interplay of authenticity and stylization.

Credits

• Song: “Peeps,” from the album Rouge (Scarlet Records; Marquee/Avalon)
• Audio: Recorded, mixed and mastered by Andrea Fusini

• Director, Operator, D.O.P.: Mattia Martinetto
• Art Direction, Production Design, Choreography: Simone Roattino
• Script, Screenplay, Editing, Post Production: Federico Mondelli
• Production Coordinator: Paul Canetti

• Cast:
  • Jungle Gaia (The Queen)
  • Carola Abrate (The Bar Lady)
  • Giulia Bertona (The Ponytail Girl)
  • Edoardo Blanda (The Leopard Coat Guy)
  • Claudia Corotto (The Brunette)
  • Marcela Gugliotta (The Pink Shirt Girl)
  • Anta Mbengue (The Turban Girl)
  • Igor Mustone (The Piano Guy)
  • Emanuele Piras (The Guitar Guy)
  • Simone Roattino (The Tank Top Guy)
  • Giulia Sodaro (The Piano Lady)
  • Andrada Vasiliu (The Tattoo Girl)
  • Junior Ventura (The Small Drum Guy)
  • Paul Canetti (The Drummer)
  • Marco Verdone (The Bass Player)
  • Federico Mondelli (The Jester)

Final Notes

“Peeps” succeeds by aligning form and function. The song’s pulse dictates the camera’s stride, the casting turns a single room into a world and the production finds a clean, modern sound that never feels sterile. It is a concise, character-rich snapshot that fits neatly within the album’s aesthetic and underscores Be The Wolf’s instinct for rock songs that move briskly and land decisively.