W.A.S.P. Dominator Album Playlist

Dominator Tracks

All tracks by Blackie Lawless

“Mercy” – 4:49
“Long, Long Way to Go” – 3:15
“Take Me Up” – 4:33
“The Burning Man” – 4:39
“Heaven’s Hung in Black” – 7:14
“Heaven’s Blessed” – 5:22
“Teacher” – 5:01
“Heaven’s Hung in Black (Reprise)” – 3:13
“Deal with the Devil” – 5:17

More Info About Dominator Album

Released in 2007, Dominator marks one of the heaviest and most aggressive chapters in W.A.S.P.’s discography. The album reflects a band fully aware of its legacy, yet unwilling to rely on nostalgia. Instead, Dominator delivers a modern, confrontational sound that blends classic W.A.S.P. intensity with sharper production and a darker lyrical tone shaped by the geopolitical and social climate of the mid-2000s.

Musically, Dominator is driven by thick, downtuned guitars, forceful riffs, and a relentless rhythmic backbone. The album leans strongly toward traditional heavy metal infused with elements of power metal and hard rock, emphasizing impact and urgency over theatrical excess. Songs like “Mercy”, “Take Me Up”, “The Burn”, and the title track “Dominator” showcase a band focused on strength, discipline, and sonic weight.

Lyrically, the album is overtly political and confrontational, addressing themes such as war, power, manipulation, and moral decay. Blackie Lawless channels anger and disillusionment into direct, uncompromising lyrics, often critiquing authority, blind obedience, and the human cost of conflict. While less introspective than The Crimson Idol, Dominator stands out for its clarity of message and unapologetic stance.

From a production standpoint, the album presents a clean yet crushing sound, reinforcing W.A.S.P.’s ability to adapt to contemporary metal standards without losing their identity. Dominator reaffirmed the band’s relevance in the modern metal scene and demonstrated that W.A.S.P. could still produce music with conviction, power, and purpose decades into their career.

Often viewed as a statement of resilience and defiance, Dominator remains a significant entry in the band’s later-era catalog — an album that trades theatrical tragedy for raw force and ideological confrontation.