Audio Track
[Verse 1] I hide my name in ash Fold it in my palm Wear the night like lace And keep my calm A cracked gold mirror Waits by my bed It knows my face It knows what I said [Pre-Chorus] I held my breath too long Held it till it turned to iron Now the dark leans near And I do not bend, I do not tire [Chorus] Black velvet crown I wear it down I wear it down Black velvet crown I rise from the ground I rise from the ground (black velvet crown) [Verse 2] There is a room in me Where the hurt still hums I feed it bread and rain Till the hunger comes But I am not the wound I am the vow I am the blade And the bloom somehow [Pre-Chorus] I held my breath too long Held it till it turned to iron Now the dark leans near And I do not bend, I do not tire [Chorus] Black velvet crown I wear it down I wear it down Black velvet crown I rise from the ground I rise from the ground (black velvet crown) [Bridge] Let the old name break Let it fall like glass I was made of grief But grief does not last Hear the gate swing wide Hear the cold air call I walk through the ruin And I take it all [Final Chorus] Black velvet crown I wear it down I wear it down Black velvet crown I rise from the ground I rise from the ground Black velvet crown I wear it down I wear it down (black velvet crown)
Eternal Roses – Kissed by the Endless Night unfurls as a symphonic metal nocturne, all obsidian sheen and slow-burning intensity. The title sets a chiaroscuro frame—beauty preserved against an unending dusk—and the music leans into that tension. Orchestral swells and metallic weight don’t rush to catharsis; they rise in measured arcs, carving a solemn air where melancholic motifs linger like incense. The mood is resolute yet vulnerable, a study in persistence when light is scarce.
At the center is a female contralto whose rich, non-sibilant tone anchors the arrangement with velvet gravity. Her dynamic approach—soft confessions that crest into commanding crescendos—gives the piece its narrative contour without needing explicit storyline. The timbral interplay between low strings, choral embers, and burnished guitars amplifies the lyricism of her delivery, suggesting themes of acceptance, remembrance, and the stubborn bloom of beauty within darkness. It’s a refined, cinematic entry in modern symphonic metal, more candlelit vigil than spectacle, and all the more powerful for its restraint.