A neon lit requiem where Futuristic Rock, Pop, and Indie Pop host a duet of obsessive spirits. With dynamic tenor–mezzo interplay, Every Midnight Calls Me Back turns dark introspection into operatic spectacle—hooks as mantras, beats as clockwork, decadence as devotion.
A mirror lit requiem where mezzo soprano and tenor braid obsession into a luminous dirge, fusing futuristic rock and indie pop. The duet knots identity and surrender around a haunting refrain, closing in an uneasy shimmer.
A requiem for those still breathing two obsessive spirits trade confessions in a liturgical duet, turning habit and hunger into sacred architecture and ending with a plea to move beyond orbit into flawed, humane motion.
Madness and Decadence takes the story into its strangest and most unexpected chapter. The subject matter remains deeply somber, with voices from beyond the grave, decaying love, haunted memories, midnight visitations, and the gradual collapse of identity. Yet the music deliberately refuses to sound as dark as the story suggests. Instead, the act is performed as a relaxed, irreverent duet, blending indie pop and synthpop with bright melodies, understated rhythms, catchy hooks, and an almost casual vocal delivery. The contrast creates an unsettling effect. The songs can feel charming and even playful while describing a soul descending into madness.
" The Curse of Empusa" is a gothic musical interpretation of the ancient Greek myth surrounding Empusa, a spirit known for her seductive yet deadly nature. The piece explores themes of hunger, loneliness, and the power of beauty, capturing the essence of her eternal curse. Through haunting lyrics, it reflects on the consequences of desire and the darkness that accompanies it.
