MADNESS AND DECADENCE
Madness And Decadence – Funeral Of The Living
Madness And Decadence – Your Reflection Is Mine
Madness And Decadence – Every Midnight Calls Me Back
Madness And Decadence – Coffin Hymn For Two
Madness And Decadence – Rotting Roses Never Die
Madness And Decadence – Voices Only I Can Hear
Playlist Details
Madness And Decadence – Funeral Of The Living
A requiem for those still breathing: two obsessive spirits trade confessions in a liturgical duet, turning habit and hunger into sacred architecture and ending with a plea to move beyond orbit into flawed, humane motion.
Madness And Decadence – Funeral Of The Living
Madness And Decadence – Your Reflection Is Mine
A mirror-lit requiem where mezzo-soprano and tenor braid obsession into a luminous dirge, fusing futuristic rock and indie pop. The duet knots identity and surrender around a haunting refrain, closing in an uneasy shimmer.
Madness And Decadence – Your Reflection Is Mine
Madness And Decadence – Every Midnight Calls Me Back
A neon-lit requiem where Futuristic Rock, Pop, and Indie Pop host a duet of obsessive spirits. With dynamic tenor–mezzo interplay, Every Midnight Calls Me Back turns dark introspection into operatic spectacle—hooks as mantras, beats as clockwork, decadence as devotion.
Madness And Decadence – Every Midnight Calls Me Back
Madness And Decadence – Coffin Hymn For Two
A futuristic requiem where mezzo and tenor polish the same glass coffin from within, Coffin Hymn for Two braids ritual and circuitry into a fever-lit duet. Obsession becomes liturgy, love a sealed box—sung in whispers, belts, and chrome-blue glow.
Madness And Decadence – Coffin Hymn For Two
Madness And Decadence – Rotting Roses Never Die
A neon requiem in duet: Rotting Roses Never Die transforms decay into devotion, as two obsessive spirits weave futuristic imagery and liturgical vows into a defiant hymn that refuses oblivion.
Madness And Decadence – Rotting Roses Never Die
Madness And Decadence – Voices Only I Can Hear
A requiem as intimate opera: two obsessive spirits confess in counterpoint while pleading for rest. Voices Only I Can Hear turns riot into rite, fusing velvet rot, neon hush, and a relentless refrain that blurs ownership and imprisonment.
Madness And Decadence – Voices Only I Can Hear
Madness And Decadence – The Raven Knows You Name
A neon requiem for two obsessive spirits, The Raven Knows Your Name braids liturgical echoes with futuristic rock and indie pop. The duet circles identity as ritual, turning the raven into a witness of memory where names can either bind or set the soul free.
Madness And Decadence – The Raven Knows You Name
Act IV:
Madness and Decadence takes the story into its strangest and most unexpected chapter. The subject matter remains deeply somber, with voices from beyond the grave, decaying love, haunted memories, midnight visitations, and the gradual collapse of identity. Yet the music deliberately refuses to sound as dark as the story suggests. Instead, the act is performed as a relaxed, irreverent duet, blending indie pop and synthpop with bright melodies, understated rhythms, catchy hooks, and an almost casual vocal delivery. The contrast creates an unsettling effect. The songs can feel charming and even playful while describing a soul descending into madness.
The male and female voices share the narrative rather than simply representing protagonist and ghostly response. Their interaction gives the songs an almost conversational quality, as if two people were casually discussing something completely ordinary, except that the subject happens to be death, obsession, decaying roses, haunted reflections, and eternal damnation. Synth textures, clean guitars, melodic bass lines, electronic percussion, and subtle retro pop elements replace the expected walls of distorted guitars and gothic grandeur. The result is deliberately unconventional, with dark lyrics wearing an indie pop smile.
Across the six tracks, the absurdity gradually becomes part of the tragedy. “Voices Only I Can Hear” introduces a mind beginning to fracture. “Rotting Roses Never Die” turns decay into something strangely beautiful. “Coffin Hymn for Two” transforms eternal devotion into an almost playful duet, while “Every Midnight Calls Me Back” gives the haunting an oddly familiar rhythm. “Your Reflection Is Mine” blurs the identities of the living and the dead, and “Funeral of the Living” closes the act with its ultimate contradiction: a song about death that sounds almost cheerful. In Madness and Decadence, the unsettling element is not that darkness has disappeared. It is that everyone seems perfectly comfortable dancing with it.