Innocent Victim, released in 1977, is the eleventh studio album by British rock band Uriah Heep and represents a key transitional moment in the band’s career during the late 1970s. Arriving at a time when musical tastes were shifting rapidly, the album reflects Uriah Heep’s effort to adapt to a changing rock landscape while preserving elements of their classic hard rock identity.
Released in 1985, The Last Command captures W. A. S. P. at the height of their raw power — unapologetic, aggressive, and driven by a sense of confrontation that defined mid 80s American heavy metal. While often overshadowed by later, more conceptual works, this album represents the band’s most direct and dangerous statement.
The central idea of The Headless Children is not subtle — humanity without conscience, societies driven by ideology rather than empathy, and individuals reduced to instruments of power.
Released in 1986, Inside the Electric Circus is one of the most debated albums in W. A. S. P.’s catalog — often labeled as excessive, chaotic, or unfocused. Yet, when placed within its historical and cultural context, the album reveals itself as a raw snapshot of a band trapped between rising fame, external pressure, and internal identity conflict.
Semblant is a Brazilian melodic death metal band known for its dynamic performances and evolving lineup. Initially featuring vocalist Katia Shakath, who contributed to their album " Last Night of Mortality," the band saw a change in 2010 when Mizuho Lin took over vocal duties. Their music reflects a blend of melodic elements and heavy metal influences, showcasing their unique sound in the genre.
