Image of The Four Horsemen – The third Featured Image

The Four Horsemen – The Third

The Third reframes famine as a moral audit with scales, chains, and a rich contralto roar—proto metal garage grit turning scarcity into a public reckoning and a rebel call to rebalance the world.

Image of The Four Horsemen – The second Featured Image

The Four Horsemen – The Second

The second hammers the War archetype with proto‑metal grit and garage‑born fury. A rich contralto leads fuzzed riffs and tom heavy stomp, turning apocalyptic mood into a rebel charge—no crowns, no creeds, just raw voltage and a rider’s will.

Image of The Four Horsemen – The first Featured Image

The Four Horsemen – The First

A proto metal rebel hymn, The first recasts Conquest as self mastery. With iron hoof riffs and a rich contralto lead, it topples hollow crowns and hands the reins back to will—“not war for war, but will that breaks a cage.”

Image of Os Quatro Cavaleiros – O Quarto Featured Image

Os Quatro Cavaleiros – O Quarto

Em O Quarto, a Morte vira martelo igualitário uma contralto rebelde corta a corda do medo e iguala reis e rua, em proto metal garageado de galope e riffs ásperos. A letra convida a dançar com o silêncio e transformar o fim em coragem lúcida.

Image of Os Quatro Cavaleiros – O Terceiro Featured Image

Os Quatro Cavaleiros – O Terceiro

O Terceiro reimagina o cavalo negro e sua balança como estopim de rebeldia entre feiras vazias e vitrines cheias, a letra vira o prato e reparte o pão. Com crueza proto metal e nervo garage, a voz contralto transforma o presságio em levante.

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